Analysis and Modeling of the Guitar Preamplifier Transfer Function Difference between Triode 5751 and ECC83S

Karin Sakamoto, Masaki Inui and Toshihiko Hamasaki

A deep learning based method for honeybee sound monitoring and analysis

Piotr Książek, Aleksandra Król-Nowak and Emilia Stefanowska

Comparison of Performance in Binaural Sound Source Localisation using Convolutional Neural Networks for differing Feature Representations

Jago T. Reed-Jones, David L. Ellis, John Marsland, Paul Fergus and Karl O. Jones

Analysis of the influence of a labyrinth acoustic silencer on the sound of a trumpet

Jakub Naspiński, Filip Węgrzyn and Łukasz Gorazd

Data Collection Frameworks in Virtual Reality Audio

Louise Bryce

Plasma Organ – improvement of prototype

Miłosz Derżko, Emilia Chmiel and Tomasz Korbiel

Is oversampling always the solution? Alternative strategies to minimize aliasing in dynamic processors

Juan Sierra

Laboratory Evaluation of Smartphone Audio Zoom Systems

Dan Zhao, Arthur Drouadene, Harry Maisonneuve, Philippe Guelen and Justin Bacle

Deep Learning Based Voice Extraction and Primary-Ambience Decomposition for Stereo to Surround Upmixing

Ricardo Thaddeus Paez Amaro, Carlos Tejeda Ocampo, Ema Souza Blanes, Sunil Bharitkar and Luis Madrid Herrera

How much can the number of microphones for 3D audio recording be reduced while maintaining spatial impression?

Toru Kamekawa and Atsushi Marui

Quantifying the Properties of Guitar Tonewoods

Rebecca Margetts and Michael James

Loudness of Next-Generation Audio contents depending on rendering conditions

Taishi Iwasaki, Hiroki Kubo and Satoshi Oode

Reproducing various sound fields at low frequencies in a rectangular closed space using room-mode matching with DCT

Natsuko Maeda and Yoichi Haneda

Auditory localisation of low-frequency sound sources

Madalina Nastasa, Ville Pulkki and Aki Mäkivirta

A Robust Deep Learning-based System for  Environmental Audio Compression and Classification

Alexandros Emvoliadis, Nikolaos Vryzas, Marina Eirini Stamatiadou, Lazaros Vrysis, Charalampos Dimoulas, Anastasios Drosou and Dimitrios Tzovaras

An automatic mixing speech enhancement system without information loss for multiple users

Xiaojing Liu and Joshua D. Reiss

Case Study of Equipping a High-Fidelity 360 Camera with a 4th-Order Ambisonic Microphone Array

Jens Ahrens and Karolina Jaruszewska

New method for the computation of acoustical parameters according to the updated Italian legislation

Antonella Bevilacqua, Adriano Farina, Leonardo Saccenti and Angelo Farina

Directional Analysis of Early Reflections in Small Shoebox-Shaped Listening Rooms

Alan Pawlak, Hyunkook Lee, Aki Mäkivirta and Thomas Lund

Dialogue Enhancement with MPEG-H Audio: An update on technology and adoption

Daniela Rieger, Christian Simon, Matteo Torcoli and Harald Fuchs

Open-access 3D-printed adjustable microphone turntable

Bogdan Ioan Bacila and Hyunkook Lee

Dynamic Adaptation in geometrical Acoustic CTC

Thierry Heeb, Alberto Vancheri, Tiziano Leidi, Loris Grossi and Noah Spagnoli

Short-term Rule of Two: Localizing Non-Stationary Noise Events in Swept-Sine Measurements

Karolina Prawda, Sebastian Schlecht and Vesa Valimaki

Source position interpolation of spatial room impulse responses

Thomas McKenzie and Sebastian J. Schlecht

Navigation of virtual mazes using acoustic cues

Sebastia Vicenc Amengual Gari, Paul Calamia and Philip Robinson

Representing Inner Voices in Virtual Reality Environments

Kuura Parkkola, Thomas McKenzie, Jukka Häkkinen and Ville Pulkki

Robust reverberation time estimation for audio augmented reality applications

Lukas Treybig, Stephan Werner, Florian Klein and Sebastià V. Amengual Gari

Wave Digital Modeling of Nonlinear Loudspeaker Drivers

Camillo Di Antonio, Lucio Bianchi, Alberto Bernardini and Augusto Sarti

Deep Learning for Loudspeaker Digital Twin Creation

Bryn Louise, Teodors Kerimovs and Sebastian Schlecht

Beamforming headphone ANC for targeted noise attenuation

Panagiotis Zachos and John Mourjopoulos

An Evaluation Method for Temporal Spatial Sound Attributes

George Moiragias and John Mourjopoulos

Augmentation of perceived spatial extent of reverberation in stereophonic listening using elevation filters

Taeho Kim and Ville Pulkki

Creating a Low-Cost, Reproducible Virtual Mixing Environment

Bryce Mennie, Sam Kaiser and Kirk McNally

String Engine Sound Generation Method Based on Wavetable Synthesizer

Jaeyoung Lee, Junwoo Lee, Dooil Choi and Jongin Jung

Introducing the Free Web Edition of the “Perceptual Audio Coders – What To Listen For” Educational Material

Juergen Herre and Sascha Dick

Towards a systematic approach to the design of the traditional bendir drum

Nikolaos Vryzas, Vasileios Bountourakis and Antonis Pagonis

Multichannel speaker diarization with arbitrary microphone arrays

Paris Xylogiannis, Nikolaos Vryzas, Vasileios Bountourakis and Charalampos Dimoulas

The effect of geometry information in blind estimation of room acoustic parameters

Nikolaos Vryzas, Lazaros Vrysis, Marina Eirini Stamatiadou, Rigas Kotsakis and Charalampos Dimoulas

A New Method for HRTFs Interpolation based on Inverse Distance Weighting

Valeria Bruschi, Nefeli Dourou, Stefano Nobili and Stefania Cecchi

Perceptual Study of a Low-Computational Linear-Phase Digital Crossover Network

Valeria Bruschi, Nefeli Dourou, Stefano Nobili and Stefania Cecchi

Sound diffusers optimized for listening rooms

Adam Pilch

HRTF Individualised Mag-LS and COMPASS Ambisonics-To-Binaural Rendering: Overall Perceived Quality for Pre-Conditioned Listeners

Frank Schultz, Shaima’A Doma, Sascha Spors and Janina Fels

Estimation and assessment of vocal directivity variations as an effect of small body movements

Konstantinos Bakogiannis, Eleni Tavelidou and Areti Andreopoulou

Generating melodic dictations using Markov Chains and LSTM neural networks

Emilia Stefanowska, Stanisław Kacprzak and Piotr Książek

Advances in Perceptual Bass Extension for Music and Cinematic Content

Sunil G. Bharitkar, Ema Souza Blanes, Glenn Kubota and Ashish

Rawat

Rendering Near-field Point Sound Sources Through an Iterative Weighted Cross-talking Cancellation Method

Zhongshu Ge, Pei Tian, Liang Li and Tianshu Qu

Effects of masker type and reverberation on speech-in-noise recognition thresholds and listening effort as indexed by pupil dilation responses

Antti Kuusinen, Kamila Kondraciuk and Tapio Lokki

AR model for low latency packet loss concealment for wireless sound zones at low frequencies

Christian Sejer Pedersen, Mo Zhou, Jan Østergaard, Martin Bo Møller and Niels Evert Marius de Koeijer

Space-domain cross-pattern coherence post-filter for speech enhancement with linear microphone arrays

Stefan Wirler, Vasileios Bountourakis and Ville Pulkki

Adoption of AI Technology in Music Mixing Workflow: An Investigation

Soumya Sai Vanka, Maryam Safi, George Fazekas and Jean-Baptiste Rolland

Examining the minimum detectable bi-lateral variation of generic HRTFs

Shaimaa Doma and Janina Fels

Current feedback techniques for loudspeaker control

Juha Backman

Leveraging Neural Representations for Audio Manipulation

Scott Hawley and Christian Steinmetz

Dataset and analysis of acoustic intensity vector measurements around an upscaled ear model

Aaron Geldert, Marton Marschall and Ville Pulkki

Analysis of listeners preference in subjective assessment of multichannel audio on electronic devices.

Fesal Toosy, Muhammad Sarwar Ehsan, Joshua Reiss and Stefan Poslad

Listen to the walls – how electroacoustic transducer type affects sound perception in stereo systems

Teresa Makuch and Piotr Kleczkowski

Creative collaboration in the Recording Studio

David Brackett, Lisa Barg, Richard King and George Massenburg

Detecting simultaneous directions of arrival in an Ambisonic signal with REVEB-ESPRIT

Franz Zotter and Thomas Deppisch

SurrRoom 1.0 Dataset: Spatial Room Capture with Controlled Acoustic and Optical Measurements

Craig Cieciura and Philip J B Jackson

Ultralight circumaural open headphones

Alexander Mülleder and Franz Zotter

Laser-plasma sound sources in ambient air

Konstantinos Kaleris, Nektarios Papadogiannis, Dimosthenis Trimis and John Mourjopoulos

Perception of Time Distortions Caused by Loudspeaker Crossover Filters

Khalid Mwambakale and James Hipperson

Investigating room impulse response characterization from the partial coherence properties of speech and music signals

Erin Driscoll, Mark Bocko and Sarah Smith

PAMGAN+/-: Improving Phase-Aware Speech Enhancement Performance via Expanded Discriminator Training

George Close, Thomas Hain and Stefan Goetze

Sound spectrum modulation generated by circularly moving sound sources

Timothy Schmele and Adan Garriga

Loudness Perception of Scene-Based Audio across Loudspeaker Configurations and HOA Orders

Nils Peters and Nicolas Epain

Optimal Spatial Sampling of Plant Transfer Functions for Head-Tracked Personal Sound Zones

Yue Qiao and Edgar Choueiri

Audio Capture Using Piezoelectric Sensors on Vibrating Panel Surfaces

Tre DiPassio, Michael Heilemann, Benjamin Thompson and Mark Bocko

Differentiable WORLD Synthesizer-Based Neural Vocoder With Application To End-To-End Audio Style Transfer

Shahan Nercessian

Plausibility of parametric spatial audio reproduction of B-format room impulse responses over headphones

Chris Pike, Craig Cieciura and Philip Jackson

Reconnections: Emulation, Aesthetics & The Modular Synthesiser

Dr. Neil O Connor

Importance of the acquisition accuracy of various pinna regions on the median-plane sound-localisation performance

Katharina Pollack and Piotr Majdak

LFE, Friend or Foe? The pros and cons of the Low Frequency Effect channel in music mixing

Richard King and Marc Theriault

Online Music Generator for Computer Games Based on Neural Networks

Kajetan Wencierski, Dorota Solarska, Daniel Parkhanovich, Konrad Kubzdela and Ewa Łukasik

Inside The Quartet – A first-person virtual reality string quartet production

Nils Meyer-Kahlen, Petra Piiroinen and Sebastian J. Schlecht

Data set and physical analysis: BRIRs and SRIRs for walking toward, past and behind virtual loudspeakers in two rooms

Annika Neidhardt

Real-time parameter estimation of loudspeaker systems using a stochastic Gauss-Newton method

Jiahe Liu

Tactile signal derivation part 1: evaluation of bandwidth extension methods

Ethan Stanhope, Stephen Oxnard and Laurence J. Hobden

Tactile signal derivation part 2: extracting haptic information from traditional audio

Stephen Oxnard, Ethan Stanhope and Laurence J. Hobden

Scalable Wave Field Synthesis System Implementation Case Study

Jan Banas, Gabriela Kaczmarek, Damian Koszewski, Maciej Kuklinowski, Dominik Stanczak, Marta Stefaniak and Pawel Trella

A serious game for crowdsourcing and self-evaluating speech emotion annotated data

Eleni Siamtanidou, Nikolaos Vryzas, Lazaros Vrysis and Charalampos Dimoulas

A near-field Head-Related Transfer Function data set of KEMAR with high distance resolution and multiple elevations

Yuqing Li, Joao Cardenuto, Fabio Di Giusto, Stephan Preihs and Jürgen Peissig

Surface nearfield source (SNS) approach compared to flat panel speaker implementations

Jukka Linjama

Loudspeaker modeling using long/short term memory neural networks

Denys Volkov and Lars-Johan Brännmark

Just noticeable reverberation difference at varying loudness levels

Florian Klein, Lukas Treybig, Christian Schneiderwind, Stephan Werner and Thomas Sporer

Relationship between perceptual width of stereo stage and inter-channel cross correlation

Mitsunori Mizumachi and Toshiharu Horiuchi

Loudspeaker Motor: Design and Non-ideality Analysis

Marco Cafaro, Luca Villa, Chiara Corsini, Grazia Spatafora and Romolo Toppi

Speed-Testing in Audio Engineering Education: An Imperative Assessment Tool

Barry Atticks

Comparison of interpolation methods to measure the three-dimensional radiation characteristics of the human voice

Kotaro Kinoshita and Takehiro Sugimoto

Quantifying the Properties of Guitar Tonewoods

Rebecca Margetts and Michael James

Loudness of Next-Generation Audio contents depending on rendering conditions

Taishi Iwasaki, Hiroki Kubo and Satoshi Oode

Reproducing various sound fields at low frequencies in a rectangular closed space using room-mode matching with DCT

Natsuko Maeda and Yoichi Haneda

Auditory localisation of low-frequency sound sources

Madalina Nastasa, Ville Pulkki and Aki Mäkivirta

A Robust Deep Learning-based System for  Environmental Audio Compression and Classification

Alexandros Emvoliadis, Nikolaos Vryzas, Marina Eirini Stamatiadou, Lazaros Vrysis, Charalampos Dimoulas, Anastasios Drosou and Dimitrios Tzovaras

An automatic mixing speech enhancement system without information loss for multiple users

Xiaojing Liu and Joshua D. Reiss

Case Study of Equipping a High-Fidelity 360 Camera with a 4th-Order Ambisonic Microphone Array

Jens Ahrens and Karolina Jaruszewska

New method for the computation of acoustical parameters according to the updated Italian legislation

Antonella Bevilacqua, Adriano Farina, Leonardo Saccenti and Angelo Farina

Directional Analysis of Early Reflections in Small Shoebox-Shaped Listening Rooms

Alan Pawlak, Hyunkook Lee, Aki Mäkivirta and Thomas Lund

Dialogue Enhancement with MPEG-H Audio: An update on technology and adoption

Daniela Rieger, Christian Simon, Matteo Torcoli and Harald Fuchs

Open-access 3D-printed adjustable microphone turntable

Bogdan Ioan Bacila and Hyunkook Lee

Creating a Low-Cost, Reproducible Virtual Mixing Environment

Bryce Mennie, Sam Kaiser and Kirk McNally

String Engine Sound Generation Method Based on Wavetable Synthesizer

Jaeyoung Lee, Junwoo Lee, Dooil Choi and Jongin Jung

Introducing the Free Web Edition of the “Perceptual Audio Coders – What To Listen For” Educational Material

Juergen Herre and Sascha Dick

Audio Peak Reduction Using Ultra-Short Chirps

Vesa Valimaki, Leonardo Fierro, Sebastian Schlecht and Juha Backman

Disembodied Timbres: A Study on Semantically Prompted FM Synthesis

Ben Hayes, Charalampos Saitis and György Fazekas

Comparison of different methods to measure acoustical impedance of horns

Alexander Voishvillo, Balazs Kakonyi and Brian McLaughlin

Buckling Dielectric Elastomer Transducers as Loudspeakers

Michael Gareis and Jürgen Maas

A Review of Literature in Critical Listening Education

Stephane Elmosnino

Style Transfer of Audio Effects with Differentiable Signal Processing

Christian J. Steinmetz, Nicholas J. Bryan and Joshua D. Reiss

The Dynamic Grid: Time-Varying Parameters for Musical Instrument Simulations Based onFinite-Difference Time-Domain Schemes

Silvin Willemsen, Stefan Bilbao, Michele Ducceschi and Stefania Serafin

Deep Audio Effects for Snare Drum Recording Transformations

Matthew Cheshire, Jake Drysdale, Sean Enderby, Maciej Tomczak and Jason Hockman

Resynthesis of Spatial Room Impulse Response Tails With Anisotropic Multi-Slope Decays

Christoph Hold, Thomas McKenzie, Georg Goetz, Sebastian J. Schlecht and Ville Pulkki

HRTF Clustering for Robus Training of a DNN for Sound Source Localization

Hugh O’Dwyer and Francis Boland

Audio Capture Using Structural Sensors on Vibrating Panel Surfaces

Tre DiPassio, Michael Heilemann and Mark Bocko

Cylindrical Radial Filter Design With Application to Local Wave Field Synthesis

Nara Hahn, Frank Schultz and Sascha Spors

Perceptual Impact on Localization Quality Evaluations of Common Pre-Processing for Non-Individual Head-Related Transfer Functions

Areti Andreopoulou and Brian F.G. Katz

Predicting Perceptual Transparency of Head-Worn Devices

Pedro Llado

A Comparative Study of Music Mastered by Human Engineers and Automated Services

Mitchell Elliott and Song Hui Chon

Spatially Oriented Format for Acoustics 2.1: Introduction and Recent Advances

Piotr Majdak, Franz Zotter, Fabian Brinkmann, Julien De Muynke, Michael Mihocic and Markus Noisternig

Linear-Phase Octave Graphic Equalizer

Valeria Bruschi, Vesa Välimäki