Program
Pre-Convention Events – Friday May 12th
YLE Finnish Broadcasting Company Tech Tour
Production of Immersive Spatial Audio and Web-based radio
Friday May 12th, 9:00AM – 10:30AM
Aalto University Acoustics Lab: research workshop, open doors, demonstrations
Friday May 12th, 1:00PM – 5:00PM
AES EUROPE 2023, May 13-15
Convention Preliminary Program
Session dates and times will be available soon.
Heyser Lecture: Jamie Angus-Whiteoak
The Ear is not a Fourier Transformer
Keynote Speaker: Douglas Castro
Neural DSP Technologies
WORKSHOPS
PRELIMINARY PROGRAM
Creating Audio Plug-ins with MATLAB
Gabriele Bunkheila, MathWorks
Doomsday!
Tom Ammermann, New Audio Technology
Binaural Wizard
Tom Ammermann, New Audio Technology
Secrets of the Low Frequencies – Navigating the Quicksand
Bruce Black, MediaRooms Technology LLC
Essential Elements For Building Acoustically High Performance Spaces
Bruce Black, MediaRooms Technology LLC
Planning and Implementing an AoIP System for a Music School
Justin Hoke, UNCW
The Ins and Outs of Microphones
John Willett, Sound-Link ProAudio & Circle Sound Services
Immersive Staging Targets for Various Playback Scenarios
Rafael Kassier, Harman; Stefan Bock, msm-studios; Daniel Dettwiler, Idee und Klang Studios; Morten Lindberg, Lindberg Lyd AS; Andreas Renhorn, Harman; Agnieszka Roginska, New York University
Towards an Objective Understanding of High-End Audio
Milind Kunchur, University of South Carolina; Hans van Maanen, Queen Mary University of London; Joshua Reiss, Queen Mary University of London
Student Mix Critiques
Ian Corbett, Kansas City Community College
The Future of Wireless Audio / Headphone 3.0
Jonny McClintock, Audio Codecs
What I Wish I Knew (When Starting My Career)
Ian Corbett, Kansas City Community College; Maryam Safi, Steinberg Media Technologies GmbH
Primer to the temporal auditory imaging theory
Adam Weisser
The Why and How Behind Immersive and Surround Recordings
Jim Anderson, Anderson Audio New York; Ulrike Schwarz Anderson Audio New York; Morten Lindberg, 2L
Why are standards important for archiving multi-track and multi-channel
Brad McCoy, Library of Congress (retired); and Nadja Wallaszkovits, Stuttgart Academy of Art and Design
Envelopment by Direct Sound in 3D Audio Productions
Lasse Nipkow, Silent Work LLC
Mics & bad vibes
Eddy Brixen, EBB-consult / DPA Microphones / Danish National School of Performing Arts / CESMA
Machine learning for guitar amplifier modeling
Athanasios Gotsopoulos, Neural DSP; Henri Penttinen, Neural DSP
MorrowSound Ontogeny
Charlie Morrow, MorrowSound
Enveloping Masterclass with Hyunkook Lee
Thomas Lund, Genelec OY; Hyunkook Lee, University of Huddersfield
Enveloping Masterclass with Morten Lindberg
Thomas Lund, Genelec OY; Morten Lindberg, 2L
Enveloping Masterclass with Florian Camerer
Thomas Lund, Genelec OY; Florian Camerer, ORF
Enveloping Masterclass with Ulrike Schwarz
Thomas Lund, Genelec OY; Ulrike Schwarz, Anderson Audio New York
Enveloping Masterclass with Kimio Hamasaki
Thomas Lund, Genelec OY; Kimio Hamasaki, Artsridge LLC
Enveloping Masterclass with Li Dakang
Li Dakang, Communication University of China; Hanying Feng, Genelec OY
What Does it Take to Become a Successful Audio Engineer?
Daniel Dettwiler, Idee und Klang Studios
Nokia – AES Europe 2023 Sponsor Workshop
Genelec – AES Europe 2023 Sponsor Workshop
IMES – AES Europe 2023 Sponsor Workshop
Feedback Delay Networks for Artificial Reverberation
Sebastian Schlecht, Aalto University
Building analog synthesizers with electron tubes – design constraints and advantages
Jonte Knif, Knif Audio Oy
Introduction to Physics Approximating Neural Networks for Virtual Analog Emulation of Nonlinear Components
Christopher Clarke, Singapore University of Technology and Design; Jer Ming Chen, Singapore University of Technology and Design
Safe Listening. Review of new clinical data and of sound exposure limits in Europe
Ulla Pirvola, University of Helsinki; Thomas Lund, Genelec OY
What is going on at MPEG Immersive Audio? About virtual worlds, quality evaluation and more
Juergen Herre, International Audio Laboratories Erlangen / Fraunhofer IIS; Thomas Sporer, Fraunhofer IDMT
Challenges of and solutions for acoustical measurements of large TVs and panel loudspeakers
Ruben Hauschild, Klippel GmbH
Mesh2HRTF – An open-source software for numerical HRTF calculation
Fabian Brinkmann, Audio Communication Group, TU Berlin; Katharina Pollack, Wolfgang Kreuzer and Piotr Majdak Acoustics Research Institute, Austrian Academy of Sciences
Immersive Audio Experience in Binaural Reproduction
Hyunkook Lee and Dale Johnson, University of Huddersfield
Maximum Sound pressure level prediction and measurement for live event applications
Boris Rehders, d&b audiotechnik GmbH Co. KG; Sebastian Bernhardt, d&b audiotechnik GmbH Co. KG; Tim Kuschel, GUZ BOX design + audio; and James Hipperson, Funktion-One
Efficient Virtual Acoustics for AR/VR
Nils Meyer-Kahlen, Aalto University; Carl Schissler, Reality Labs Research; Enzo de Sena, University of Surrey; Karolina Prawda, Aalto University
The Anatomy of a Recording Session: Where Musical Creativity and Technology Intersect
Richard King, David Brackett and Lisa Barg, McGill University
PAPERS
PRELIMINARY PROGRAM
Analysis and Modeling of the Guitar Preamplifier Transfer Function Difference between Triode 5751 and ECC83S
Karin Sakamoto, Masaki Inui and Toshihiko Hamasaki
A deep learning based method for honeybee sound monitoring and analysis
Piotr Książek, Aleksandra Król-Nowak and Emilia Stefanowska
Comparison of Performance in Binaural Sound Source Localisation using Convolutional Neural Networks for differing Feature Representations
Jago T. Reed-Jones, David L. Ellis, John Marsland, Paul Fergus and Karl O. Jones
Analysis of the influence of a labyrinth acoustic silencer on the sound of a trumpet
Jakub Naspiński, Filip Węgrzyn and Łukasz Gorazd
Data Collection Frameworks in Virtual Reality Audio
Louise Bryce
Plasma Organ – improvement of prototype
Miłosz Derżko, Emilia Chmiel and Tomasz Korbiel
Is oversampling always the solution? Alternative strategies to minimize aliasing in dynamic processors
Juan Sierra
Laboratory Evaluation of Smartphone Audio Zoom Systems
Dan Zhao, Arthur Drouadene, Harry Maisonneuve, Philippe Guelen and Justin Bacle
Deep Learning Based Voice Extraction and Primary-Ambience Decomposition for Stereo to Surround Upmixing
Ricardo Thaddeus Paez Amaro, Carlos Tejeda Ocampo, Ema Souza Blanes, Sunil Bharitkar and Luis Madrid Herrera
How much can the number of microphones for 3D audio recording be reduced while maintaining spatial impression?
Toru Kamekawa and Atsushi Marui
Quantifying the Properties of Guitar Tonewoods
Rebecca Margetts and Michael James
Loudness of Next-Generation Audio contents depending on rendering conditions
Taishi Iwasaki, Hiroki Kubo and Satoshi Oode
Reproducing various sound fields at low frequencies in a rectangular closed space using room-mode matching with DCT
Natsuko Maeda and Yoichi Haneda
Auditory localisation of low-frequency sound sources
Madalina Nastasa, Ville Pulkki and Aki Mäkivirta
A Robust Deep Learning-based System for Environmental Audio Compression and Classification
Alexandros Emvoliadis, Nikolaos Vryzas, Marina Eirini Stamatiadou, Lazaros Vrysis, Charalampos Dimoulas, Anastasios Drosou and Dimitrios Tzovaras
An automatic mixing speech enhancement system without information loss for multiple users
Xiaojing Liu and Joshua D. Reiss
Case Study of Equipping a High-Fidelity 360 Camera with a 4th-Order Ambisonic Microphone Array
Jens Ahrens and Karolina Jaruszewska
New method for the computation of acoustical parameters according to the updated Italian legislation
Antonella Bevilacqua, Adriano Farina, Leonardo Saccenti and Angelo Farina
Directional Analysis of Early Reflections in Small Shoebox-Shaped Listening Rooms
Alan Pawlak, Hyunkook Lee, Aki Mäkivirta and Thomas Lund
Dialogue Enhancement with MPEG-H Audio: An update on technology and adoption
Daniela Rieger, Christian Simon, Matteo Torcoli and Harald Fuchs
Open-access 3D-printed adjustable microphone turntable
Bogdan Ioan Bacila and Hyunkook Lee
Dynamic Adaptation in geometrical Acoustic CTC
Thierry Heeb, Alberto Vancheri, Tiziano Leidi, Loris Grossi and Noah Spagnoli
Short-term Rule of Two: Localizing Non-Stationary Noise Events in Swept-Sine Measurements
Karolina Prawda, Sebastian Schlecht and Vesa Valimaki
Source position interpolation of spatial room impulse responses
Thomas McKenzie and Sebastian J. Schlecht
Navigation of virtual mazes using acoustic cues
Sebastia Vicenc Amengual Gari, Paul Calamia and Philip Robinson
Representing Inner Voices in Virtual Reality Environments
Kuura Parkkola, Thomas McKenzie, Jukka Häkkinen and Ville Pulkki
Robust reverberation time estimation for audio augmented reality applications
Lukas Treybig, Stephan Werner, Florian Klein and Sebastià V. Amengual Gari
Wave Digital Modeling of Nonlinear Loudspeaker Drivers
Camillo Di Antonio, Lucio Bianchi, Alberto Bernardini and Augusto Sarti
Deep Learning for Loudspeaker Digital Twin Creation
Bryn Louise, Teodors Kerimovs and Sebastian Schlecht
Beamforming headphone ANC for targeted noise attenuation
Panagiotis Zachos and John Mourjopoulos
An Evaluation Method for Temporal Spatial Sound Attributes
George Moiragias and John Mourjopoulos
Augmentation of perceived spatial extent of reverberation in stereophonic listening using elevation filters
Taeho Kim and Ville Pulkki
Creating a Low-Cost, Reproducible Virtual Mixing Environment
Bryce Mennie, Sam Kaiser and Kirk McNally
String Engine Sound Generation Method Based on Wavetable Synthesizer
Jaeyoung Lee, Junwoo Lee, Dooil Choi and Jongin Jung
Introducing the Free Web Edition of the “Perceptual Audio Coders – What To Listen For” Educational Material
Juergen Herre and Sascha Dick
Towards a systematic approach to the design of the traditional bendir drum
Nikolaos Vryzas, Vasileios Bountourakis and Antonis Pagonis
Multichannel speaker diarization with arbitrary microphone arrays
Paris Xylogiannis, Nikolaos Vryzas, Vasileios Bountourakis and Charalampos Dimoulas
The effect of geometry information in blind estimation of room acoustic parameters
Nikolaos Vryzas, Lazaros Vrysis, Marina Eirini Stamatiadou, Rigas Kotsakis and Charalampos Dimoulas
A New Method for HRTFs Interpolation based on Inverse Distance Weighting
Valeria Bruschi, Nefeli Dourou, Stefano Nobili and Stefania Cecchi
Perceptual Study of a Low-Computational Linear-Phase Digital Crossover Network
Valeria Bruschi, Nefeli Dourou, Stefano Nobili and Stefania Cecchi
Sound diffusers optimized for listening rooms
Adam Pilch
HRTF Individualised Mag-LS and COMPASS Ambisonics-To-Binaural Rendering: Overall Perceived Quality for Pre-Conditioned Listeners
Frank Schultz, Shaima’A Doma, Sascha Spors and Janina Fels
Estimation and assessment of vocal directivity variations as an effect of small body movements
Konstantinos Bakogiannis, Eleni Tavelidou and Areti Andreopoulou
Generating melodic dictations using Markov Chains and LSTM neural networks
Emilia Stefanowska, Stanisław Kacprzak and Piotr Książek
Advances in Perceptual Bass Extension for Music and Cinematic Content
Sunil G. Bharitkar, Ema Souza Blanes, Glenn Kubota and Ashish
Rawat
Rendering Near-field Point Sound Sources Through an Iterative Weighted Cross-talking Cancellation Method
Zhongshu Ge, Pei Tian, Liang Li and Tianshu Qu
Effects of masker type and reverberation on speech-in-noise recognition thresholds and listening effort as indexed by pupil dilation responses
Antti Kuusinen, Kamila Kondraciuk and Tapio Lokki
AR model for low latency packet loss concealment for wireless sound zones at low frequencies
Christian Sejer Pedersen, Mo Zhou, Jan Østergaard, Martin Bo Møller and Niels Evert Marius de Koeijer
Space-domain cross-pattern coherence post-filter for speech enhancement with linear microphone arrays
Stefan Wirler, Vasileios Bountourakis and Ville Pulkki
Adoption of AI Technology in Music Mixing Workflow: An Investigation
Soumya Sai Vanka, Maryam Safi, George Fazekas and Jean-Baptiste Rolland
Examining the minimum detectable bi-lateral variation of generic HRTFs
Shaimaa Doma and Janina Fels
Current feedback techniques for loudspeaker control
Juha Backman
Leveraging Neural Representations for Audio Manipulation
Scott Hawley and Christian Steinmetz
Dataset and analysis of acoustic intensity vector measurements around an upscaled ear model
Aaron Geldert, Marton Marschall and Ville Pulkki
Analysis of listeners preference in subjective assessment of multichannel audio on electronic devices.
Fesal Toosy, Muhammad Sarwar Ehsan, Joshua Reiss and Stefan Poslad
Listen to the walls – how electroacoustic transducer type affects sound perception in stereo systems
Teresa Makuch and Piotr Kleczkowski
Creative collaboration in the Recording Studio
David Brackett, Lisa Barg, Richard King and George Massenburg
Detecting simultaneous directions of arrival in an Ambisonic signal with REVEB-ESPRIT
Franz Zotter and Thomas Deppisch
SurrRoom 1.0 Dataset: Spatial Room Capture with Controlled Acoustic and Optical Measurements
Craig Cieciura and Philip J B Jackson
Ultralight circumaural open headphones
Alexander Mülleder and Franz Zotter
Laser-plasma sound sources in ambient air
Konstantinos Kaleris, Nektarios Papadogiannis, Dimosthenis Trimis and John Mourjopoulos
Perception of Time Distortions Caused by Loudspeaker Crossover Filters
Khalid Mwambakale and James Hipperson
Investigating room impulse response characterization from the partial coherence properties of speech and music signals
Erin Driscoll, Mark Bocko and Sarah Smith
PAMGAN+/-: Improving Phase-Aware Speech Enhancement Performance via Expanded Discriminator Training
George Close, Thomas Hain and Stefan Goetze
Sound spectrum modulation generated by circularly moving sound sources
Timothy Schmele and Adan Garriga
Loudness Perception of Scene-Based Audio across Loudspeaker Configurations and HOA Orders
Nils Peters and Nicolas Epain
Optimal Spatial Sampling of Plant Transfer Functions for Head-Tracked Personal Sound Zones
Yue Qiao and Edgar Choueiri
Audio Capture Using Piezoelectric Sensors on Vibrating Panel Surfaces
Tre DiPassio, Michael Heilemann, Benjamin Thompson and Mark Bocko
Differentiable WORLD Synthesizer-Based Neural Vocoder With Application To End-To-End Audio Style Transfer
Shahan Nercessian
Plausibility of parametric spatial audio reproduction of B-format room impulse responses over headphones
Chris Pike, Craig Cieciura and Philip Jackson
Reconnections: Emulation, Aesthetics & The Modular Synthesiser
Dr. Neil O Connor
Importance of the acquisition accuracy of various pinna regions on the median-plane sound-localisation performance
Katharina Pollack and Piotr Majdak
LFE, Friend or Foe? The pros and cons of the Low Frequency Effect channel in music mixing
Richard King and Marc Theriault
Online Music Generator for Computer Games Based on Neural Networks
Kajetan Wencierski, Dorota Solarska, Daniel Parkhanovich, Konrad Kubzdela and Ewa Łukasik
Inside The Quartet – A first-person virtual reality string quartet production
Nils Meyer-Kahlen, Petra Piiroinen and Sebastian J. Schlecht
Data set and physical analysis: BRIRs and SRIRs for walking toward, past and behind virtual loudspeakers in two rooms
Annika Neidhardt
Real-time parameter estimation of loudspeaker systems using a stochastic Gauss-Newton method
Jiahe Liu
Tactile signal derivation part 1: evaluation of bandwidth extension methods
Ethan Stanhope, Stephen Oxnard and Laurence J. Hobden
Tactile signal derivation part 2: extracting haptic information from traditional audio
Stephen Oxnard, Ethan Stanhope and Laurence J. Hobden
Scalable Wave Field Synthesis System Implementation Case Study
Jan Banas, Gabriela Kaczmarek, Damian Koszewski, Maciej Kuklinowski, Dominik Stanczak, Marta Stefaniak and Pawel Trella
A serious game for crowdsourcing and self-evaluating speech emotion annotated data
Eleni Siamtanidou, Nikolaos Vryzas, Lazaros Vrysis and Charalampos Dimoulas
A near-field Head-Related Transfer Function data set of KEMAR with high distance resolution and multiple elevations
Yuqing Li, Joao Cardenuto, Fabio Di Giusto, Stephan Preihs and Jürgen Peissig
Surface nearfield source (SNS) approach compared to flat panel speaker implementations
Jukka Linjama
Loudspeaker modeling using long/short term memory neural networks
Denys Volkov and Lars-Johan Brännmark
Just noticeable reverberation difference at varying loudness levels
Florian Klein, Lukas Treybig, Christian Schneiderwind, Stephan Werner and Thomas Sporer
Relationship between perceptual width of stereo stage and inter-channel cross correlation
Mitsunori Mizumachi and Toshiharu Horiuchi
Loudspeaker Motor: Design and Non-ideality Analysis
Marco Cafaro, Luca Villa, Chiara Corsini, Grazia Spatafora and Romolo Toppi
Speed-Testing in Audio Engineering Education: An Imperative Assessment Tool
Barry Atticks
Comparison of interpolation methods to measure the three-dimensional radiation characteristics of the human voice
Kotaro Kinoshita and Takehiro Sugimoto
Quantifying the Properties of Guitar Tonewoods
Rebecca Margetts and Michael James
Loudness of Next-Generation Audio contents depending on rendering conditions
Taishi Iwasaki, Hiroki Kubo and Satoshi Oode
Reproducing various sound fields at low frequencies in a rectangular closed space using room-mode matching with DCT
Natsuko Maeda and Yoichi Haneda
Auditory localisation of low-frequency sound sources
Madalina Nastasa, Ville Pulkki and Aki Mäkivirta
A Robust Deep Learning-based System for Environmental Audio Compression and Classification
Alexandros Emvoliadis, Nikolaos Vryzas, Marina Eirini Stamatiadou, Lazaros Vrysis, Charalampos Dimoulas, Anastasios Drosou and Dimitrios Tzovaras
An automatic mixing speech enhancement system without information loss for multiple users
Xiaojing Liu and Joshua D. Reiss
Case Study of Equipping a High-Fidelity 360 Camera with a 4th-Order Ambisonic Microphone Array
Jens Ahrens and Karolina Jaruszewska
New method for the computation of acoustical parameters according to the updated Italian legislation
Antonella Bevilacqua, Adriano Farina, Leonardo Saccenti and Angelo Farina
Directional Analysis of Early Reflections in Small Shoebox-Shaped Listening Rooms
Alan Pawlak, Hyunkook Lee, Aki Mäkivirta and Thomas Lund
Dialogue Enhancement with MPEG-H Audio: An update on technology and adoption
Daniela Rieger, Christian Simon, Matteo Torcoli and Harald Fuchs
Open-access 3D-printed adjustable microphone turntable
Bogdan Ioan Bacila and Hyunkook Lee
Creating a Low-Cost, Reproducible Virtual Mixing Environment
Bryce Mennie, Sam Kaiser and Kirk McNally
String Engine Sound Generation Method Based on Wavetable Synthesizer
Jaeyoung Lee, Junwoo Lee, Dooil Choi and Jongin Jung
Introducing the Free Web Edition of the “Perceptual Audio Coders – What To Listen For” Educational Material
Juergen Herre and Sascha Dick
Audio Peak Reduction Using Ultra-Short Chirps
Vesa Valimaki, Leonardo Fierro, Sebastian Schlecht and Juha Backman
Disembodied Timbres: A Study on Semantically Prompted FM Synthesis
Ben Hayes, Charalampos Saitis and György Fazekas
Comparison of different methods to measure acoustical impedance of horns
Alexander Voishvillo, Balazs Kakonyi and Brian McLaughlin
Buckling Dielectric Elastomer Transducers as Loudspeakers
Michael Gareis and Jürgen Maas
A Review of Literature in Critical Listening Education
Stephane Elmosnino
Style Transfer of Audio Effects with Differentiable Signal Processing
Christian J. Steinmetz, Nicholas J. Bryan and Joshua D. Reiss
The Dynamic Grid: Time-Varying Parameters for Musical Instrument Simulations Based onFinite-Difference Time-Domain Schemes
Silvin Willemsen, Stefan Bilbao, Michele Ducceschi and Stefania Serafin
Deep Audio Effects for Snare Drum Recording Transformations
Matthew Cheshire, Jake Drysdale, Sean Enderby, Maciej Tomczak and Jason Hockman
Resynthesis of Spatial Room Impulse Response Tails With Anisotropic Multi-Slope Decays
Christoph Hold, Thomas McKenzie, Georg Goetz, Sebastian J. Schlecht and Ville Pulkki
HRTF Clustering for Robus Training of a DNN for Sound Source Localization
Hugh O’Dwyer and Francis Boland
Audio Capture Using Structural Sensors on Vibrating Panel Surfaces
Tre DiPassio, Michael Heilemann and Mark Bocko
Cylindrical Radial Filter Design With Application to Local Wave Field Synthesis
Nara Hahn, Frank Schultz and Sascha Spors
Perceptual Impact on Localization Quality Evaluations of Common Pre-Processing for Non-Individual Head-Related Transfer Functions
Areti Andreopoulou and Brian F.G. Katz
Predicting Perceptual Transparency of Head-Worn Devices
Pedro Llado
A Comparative Study of Music Mastered by Human Engineers and Automated Services
Mitchell Elliott and Song Hui Chon
Spatially Oriented Format for Acoustics 2.1: Introduction and Recent Advances
Piotr Majdak, Franz Zotter, Fabian Brinkmann, Julien De Muynke, Michael Mihocic and Markus Noisternig
Linear-Phase Octave Graphic Equalizer
Valeria Bruschi, Vesa Välimäki