Program

Pre-Convention Events – Friday May 12th

YLE Finnish Broadcasting Company Tech Tour

Production of Immersive Spatial Audio and Web-based radio 

Friday May 12th,  9:00AM – 10:30AM

Prior Registration Required Here

Aalto University Acoustics Lab:  research workshop, open doors, demonstrations

Friday May 12th, 1:00PM – 5:00PM

Prior Registration Required Here

AES EUROPE 2023, May 13-15

Convention Preliminary Program

Session dates and times will be available soon.

Heyser Lecture: Jamie Angus-Whiteoak

The Ear is not a Fourier Transformer

Keynote Speaker: Douglas Castro

Neural DSP Technologies

WORKSHOPS

PRELIMINARY PROGRAM

Creating Audio Plug-ins with MATLAB

Gabriele Bunkheila, MathWorks

 

Doomsday!

Tom Ammermann, New Audio Technology

 

Binaural Wizard

Tom Ammermann, New Audio Technology

 

Secrets of the Low Frequencies – Navigating the Quicksand

Bruce Black, MediaRooms Technology LLC

 

Essential Elements For Building Acoustically High Performance Spaces

Bruce Black, MediaRooms Technology LLC

 

Planning and Implementing an AoIP System for a Music School

Justin Hoke, UNCW

 

The Ins and Outs of Microphones

John Willett, Sound-Link ProAudio & Circle Sound Services

 

Immersive Staging Targets for Various Playback Scenarios

Rafael Kassier, Harman; Stefan Bock, msm-studios; Daniel Dettwiler, Idee und Klang Studios; Morten Lindberg, Lindberg Lyd AS; Andreas Renhorn, Harman; Agnieszka Roginska, New York University 

 

Towards an Objective Understanding of High-End Audio

Milind Kunchur, University of South Carolina;  Hans van Maanen, Queen Mary University of London; Joshua Reiss, Queen Mary University of London

 

Student Mix Critiques

Ian Corbett, Kansas City Community College

 

The Future of Wireless Audio / Headphone 3.0

Jonny McClintock, Audio Codecs

 

What I Wish I Knew (When Starting My Career)

Ian Corbett, Kansas City Community College; Maryam Safi, Steinberg Media Technologies GmbH

 

Primer to the temporal auditory imaging theory

Adam Weisser

 

The Why and How Behind Immersive and Surround Recordings

Jim Anderson, Anderson Audio New York; Ulrike Schwarz Anderson Audio New York; Morten Lindberg, 2L

 

Why are standards important for archiving multi-track and multi-channel

Brad McCoy, Library of Congress (retired); and Nadja Wallaszkovits, Stuttgart Academy of Art and Design

 

Envelopment by Direct Sound in 3D Audio Productions

Lasse Nipkow, Silent Work LLC

 

Mics & bad vibes

Eddy Brixen, EBB-consult / DPA Microphones / Danish National School of Performing Arts / CESMA

 

Machine learning for guitar amplifier modeling

Athanasios Gotsopoulos, Neural DSP;  Henri Penttinen, Neural DSP

 

MorrowSound Ontogeny

Charlie Morrow, MorrowSound

 

Enveloping Masterclass with Hyunkook Lee

Thomas Lund, Genelec OY; Hyunkook Lee, University of Huddersfield

 

Enveloping Masterclass with Morten Lindberg

Thomas Lund, Genelec OY; Morten Lindberg, 2L

 

Enveloping Masterclass with Florian Camerer

Thomas Lund, Genelec OY; Florian Camerer, ORF

 

Enveloping Masterclass with Ulrike Schwarz

Thomas Lund, Genelec OY; Ulrike Schwarz, Anderson Audio New York

 

Enveloping Masterclass with Kimio Hamasaki

Thomas Lund, Genelec OY; Kimio Hamasaki, Artsridge LLC

 

Enveloping Masterclass with Li Dakang

Li Dakang, Communication University of China; Hanying Feng, Genelec OY

 

What Does it Take to Become a Successful Audio Engineer?

Daniel Dettwiler, Idee und Klang Studios

 

Nokia – AES Europe 2023 Sponsor Workshop

 

Genelec – AES Europe 2023 Sponsor Workshop

 

IMES – AES Europe 2023 Sponsor Workshop

 

Feedback Delay Networks for Artificial Reverberation

Sebastian Schlecht, Aalto University

 

Building analog synthesizers with electron tubes – design constraints and advantages

Jonte Knif, Knif Audio Oy

 

Introduction to Physics Approximating Neural Networks for Virtual Analog Emulation of Nonlinear Components

Christopher Clarke, Singapore University of Technology and Design;  Jer Ming Chen, Singapore University of Technology and Design

 

Safe Listening. Review of new clinical data and of sound exposure limits in Europe

Ulla Pirvola, University of Helsinki; Thomas Lund, Genelec OY

 

What is going on at MPEG Immersive Audio? About virtual worlds, quality evaluation and more

Juergen Herre, International Audio Laboratories Erlangen / Fraunhofer IIS; Thomas Sporer, Fraunhofer IDMT

 

Challenges of and solutions for acoustical measurements of large TVs and panel loudspeakers

Ruben Hauschild, Klippel GmbH

 

Mesh2HRTF – An open-source software for numerical HRTF calculation

Fabian Brinkmann, Audio Communication Group, TU Berlin; Katharina Pollack,  Wolfgang Kreuzer and Piotr Majdak Acoustics Research Institute, Austrian Academy of Sciences

 

Immersive Audio Experience in Binaural Reproduction

Hyunkook Lee and Dale Johnson, University of Huddersfield

 

Maximum Sound pressure level prediction and measurement for live event applications

Boris Rehders,  d&b audiotechnik GmbH  Co. KG; Sebastian Bernhardt, d&b audiotechnik GmbH  Co. KG;  Tim Kuschel, GUZ BOX design + audio;  and James Hipperson, Funktion-One

 

Efficient Virtual Acoustics for AR/VR

Nils Meyer-Kahlen, Aalto University;  Carl Schissler, Reality Labs Research; Enzo de Sena, University of Surrey;  Karolina Prawda, Aalto University

 

The Anatomy of a Recording Session: Where Musical Creativity and Technology Intersect

Richard King, David Brackett and Lisa Barg, McGill University

PAPERS

PRELIMINARY PROGRAM

Analysis and Modeling of the Guitar Preamplifier Transfer Function Difference between Triode 5751 and ECC83S

Karin Sakamoto, Masaki Inui and Toshihiko Hamasaki

 

A deep learning based method for honeybee sound monitoring and analysis

Piotr Książek, Aleksandra Król-Nowak and Emilia Stefanowska

 

Comparison of Performance in Binaural Sound Source Localisation using Convolutional Neural Networks for differing Feature Representations

Jago T. Reed-Jones, David L. Ellis, John Marsland, Paul Fergus and Karl O. Jones

 

Analysis of the influence of a labyrinth acoustic silencer on the sound of a trumpet

Jakub Naspiński, Filip Węgrzyn and Łukasz Gorazd

 

Data Collection Frameworks in Virtual Reality Audio

Louise Bryce

 

Plasma Organ – improvement of prototype

Miłosz Derżko, Emilia Chmiel and Tomasz Korbiel

 

Is oversampling always the solution? Alternative strategies to minimize aliasing in dynamic processors

Juan Sierra

 

Laboratory Evaluation of Smartphone Audio Zoom Systems

Dan Zhao, Arthur Drouadene, Harry Maisonneuve, Philippe Guelen and Justin Bacle

 

Deep Learning Based Voice Extraction and Primary-Ambience Decomposition for Stereo to Surround Upmixing

Ricardo Thaddeus Paez Amaro, Carlos Tejeda Ocampo, Ema Souza Blanes, Sunil Bharitkar and Luis Madrid Herrera

 

How much can the number of microphones for 3D audio recording be reduced while maintaining spatial impression?

Toru Kamekawa and Atsushi Marui

 

Quantifying the Properties of Guitar Tonewoods

Rebecca Margetts and Michael James

 

Loudness of Next-Generation Audio contents depending on rendering conditions

Taishi Iwasaki, Hiroki Kubo and Satoshi Oode

 

Reproducing various sound fields at low frequencies in a rectangular closed space using room-mode matching with DCT

Natsuko Maeda and Yoichi Haneda

 

Auditory localisation of low-frequency sound sources

Madalina Nastasa, Ville Pulkki and Aki Mäkivirta

 

A Robust Deep Learning-based System for  Environmental Audio Compression and Classification

Alexandros Emvoliadis, Nikolaos Vryzas, Marina Eirini Stamatiadou, Lazaros Vrysis, Charalampos Dimoulas, Anastasios Drosou and Dimitrios Tzovaras

 

An automatic mixing speech enhancement system without information loss for multiple users

Xiaojing Liu and Joshua D. Reiss

 

Case Study of Equipping a High-Fidelity 360 Camera with a 4th-Order Ambisonic Microphone Array

Jens Ahrens and Karolina Jaruszewska

 

New method for the computation of acoustical parameters according to the updated Italian legislation

Antonella Bevilacqua, Adriano Farina, Leonardo Saccenti and Angelo Farina

 

Directional Analysis of Early Reflections in Small Shoebox-Shaped Listening Rooms

Alan Pawlak, Hyunkook Lee, Aki Mäkivirta and Thomas Lund

 

Dialogue Enhancement with MPEG-H Audio: An update on technology and adoption

Daniela Rieger, Christian Simon, Matteo Torcoli and Harald Fuchs

 

Open-access 3D-printed adjustable microphone turntable

Bogdan Ioan Bacila and Hyunkook Lee

 

Dynamic Adaptation in geometrical Acoustic CTC

Thierry Heeb, Alberto Vancheri, Tiziano Leidi, Loris Grossi and Noah Spagnoli

 

Short-term Rule of Two: Localizing Non-Stationary Noise Events in Swept-Sine Measurements

Karolina Prawda, Sebastian Schlecht and Vesa Valimaki

 

Source position interpolation of spatial room impulse responses

Thomas McKenzie and Sebastian J. Schlecht

 

Navigation of virtual mazes using acoustic cues

Sebastia Vicenc Amengual Gari, Paul Calamia and Philip Robinson

 

Representing Inner Voices in Virtual Reality Environments

Kuura Parkkola, Thomas McKenzie, Jukka Häkkinen and Ville Pulkki

 

Robust reverberation time estimation for audio augmented reality applications

Lukas Treybig, Stephan Werner, Florian Klein and Sebastià V. Amengual Gari

 

Wave Digital Modeling of Nonlinear Loudspeaker Drivers

Camillo Di Antonio, Lucio Bianchi, Alberto Bernardini and Augusto Sarti

 

Deep Learning for Loudspeaker Digital Twin Creation

Bryn Louise, Teodors Kerimovs and Sebastian Schlecht

 

Beamforming headphone ANC for targeted noise attenuation

Panagiotis Zachos and John Mourjopoulos

 

An Evaluation Method for Temporal Spatial Sound Attributes

George Moiragias and John Mourjopoulos

 

Augmentation of perceived spatial extent of reverberation in stereophonic listening using elevation filters

Taeho Kim and Ville Pulkki

 

Creating a Low-Cost, Reproducible Virtual Mixing Environment

Bryce Mennie, Sam Kaiser and Kirk McNally

 

String Engine Sound Generation Method Based on Wavetable Synthesizer

Jaeyoung Lee, Junwoo Lee, Dooil Choi and Jongin Jung

 

Introducing the Free Web Edition of the “Perceptual Audio Coders – What To Listen For” Educational Material

Juergen Herre and Sascha Dick

 

Towards a systematic approach to the design of the traditional bendir drum

Nikolaos Vryzas, Vasileios Bountourakis and Antonis Pagonis

 

Multichannel speaker diarization with arbitrary microphone arrays

Paris Xylogiannis, Nikolaos Vryzas, Vasileios Bountourakis and Charalampos Dimoulas

 

The effect of geometry information in blind estimation of room acoustic parameters

Nikolaos Vryzas, Lazaros Vrysis, Marina Eirini Stamatiadou, Rigas Kotsakis and Charalampos Dimoulas

 

A New Method for HRTFs Interpolation based on Inverse Distance Weighting

Valeria Bruschi, Nefeli Dourou, Stefano Nobili and Stefania Cecchi

 

Perceptual Study of a Low-Computational Linear-Phase Digital Crossover Network

Valeria Bruschi, Nefeli Dourou, Stefano Nobili and Stefania Cecchi

 

Sound diffusers optimized for listening rooms

Adam Pilch

 

HRTF Individualised Mag-LS and COMPASS Ambisonics-To-Binaural Rendering: Overall Perceived Quality for Pre-Conditioned Listeners

Frank Schultz, Shaima’A Doma, Sascha Spors and Janina Fels

 

Estimation and assessment of vocal directivity variations as an effect of small body movements

Konstantinos Bakogiannis, Eleni Tavelidou and Areti Andreopoulou

 

Generating melodic dictations using Markov Chains and LSTM neural networks

Emilia Stefanowska, Stanisław Kacprzak and Piotr Książek

 

Advances in Perceptual Bass Extension for Music and Cinematic Content

Sunil G. Bharitkar, Ema Souza Blanes, Glenn Kubota and Ashish

Rawat

 

Rendering Near-field Point Sound Sources Through an Iterative Weighted Cross-talking Cancellation Method

Zhongshu Ge, Pei Tian, Liang Li and Tianshu Qu

 

Effects of masker type and reverberation on speech-in-noise recognition thresholds and listening effort as indexed by pupil dilation responses

Antti Kuusinen, Kamila Kondraciuk and Tapio Lokki

 

AR model for low latency packet loss concealment for wireless sound zones at low frequencies

Christian Sejer Pedersen, Mo Zhou, Jan Østergaard, Martin Bo Møller and Niels Evert Marius de Koeijer

 

Space-domain cross-pattern coherence post-filter for speech enhancement with linear microphone arrays

Stefan Wirler, Vasileios Bountourakis and Ville Pulkki

 

Adoption of AI Technology in Music Mixing Workflow: An Investigation

Soumya Sai Vanka, Maryam Safi, George Fazekas and Jean-Baptiste Rolland

 

Examining the minimum detectable bi-lateral variation of generic HRTFs

Shaimaa Doma and Janina Fels

 

Current feedback techniques for loudspeaker control

Juha Backman

 

Leveraging Neural Representations for Audio Manipulation

Scott Hawley and Christian Steinmetz

 

Dataset and analysis of acoustic intensity vector measurements around an upscaled ear model

Aaron Geldert, Marton Marschall and Ville Pulkki

 

Analysis of listeners preference in subjective assessment of multichannel audio on electronic devices.

Fesal Toosy, Muhammad Sarwar Ehsan, Joshua Reiss and Stefan Poslad

 

Listen to the walls – how electroacoustic transducer type affects sound perception in stereo systems

Teresa Makuch and Piotr Kleczkowski

 

Creative collaboration in the Recording Studio

David Brackett, Lisa Barg, Richard King and George Massenburg

 

Detecting simultaneous directions of arrival in an Ambisonic signal with REVEB-ESPRIT

Franz Zotter and Thomas Deppisch

 

SurrRoom 1.0 Dataset: Spatial Room Capture with Controlled Acoustic and Optical Measurements

Craig Cieciura and Philip J B Jackson

 

Ultralight circumaural open headphones

Alexander Mülleder and Franz Zotter

 

Laser-plasma sound sources in ambient air

Konstantinos Kaleris, Nektarios Papadogiannis, Dimosthenis Trimis and John Mourjopoulos

 

Perception of Time Distortions Caused by Loudspeaker Crossover Filters

Khalid Mwambakale and James Hipperson

 

Investigating room impulse response characterization from the partial coherence properties of speech and music signals

Erin Driscoll, Mark Bocko and Sarah Smith

 

PAMGAN+/-: Improving Phase-Aware Speech Enhancement Performance via Expanded Discriminator Training

George Close, Thomas Hain and Stefan Goetze

 

Sound spectrum modulation generated by circularly moving sound sources

Timothy Schmele and Adan Garriga

 

Loudness Perception of Scene-Based Audio across Loudspeaker Configurations and HOA Orders

Nils Peters and Nicolas Epain

 

Optimal Spatial Sampling of Plant Transfer Functions for Head-Tracked Personal Sound Zones

Yue Qiao and Edgar Choueiri

 

Audio Capture Using Piezoelectric Sensors on Vibrating Panel Surfaces

Tre DiPassio, Michael Heilemann, Benjamin Thompson and Mark Bocko

 

Differentiable WORLD Synthesizer-Based Neural Vocoder With Application To End-To-End Audio Style Transfer

Shahan Nercessian

 

Plausibility of parametric spatial audio reproduction of B-format room impulse responses over headphones

Chris Pike, Craig Cieciura and Philip Jackson

 

Reconnections: Emulation, Aesthetics & The Modular Synthesiser

Dr. Neil O Connor

 

Importance of the acquisition accuracy of various pinna regions on the median-plane sound-localisation performance

Katharina Pollack and Piotr Majdak

 

LFE, Friend or Foe? The pros and cons of the Low Frequency Effect channel in music mixing

Richard King and Marc Theriault

 

Online Music Generator for Computer Games Based on Neural Networks

Kajetan Wencierski, Dorota Solarska, Daniel Parkhanovich, Konrad Kubzdela and Ewa Łukasik

 

Inside The Quartet – A first-person virtual reality string quartet production

Nils Meyer-Kahlen, Petra Piiroinen and Sebastian J. Schlecht

 

Data set and physical analysis: BRIRs and SRIRs for walking toward, past and behind virtual loudspeakers in two rooms

Annika Neidhardt

 

Real-time parameter estimation of loudspeaker systems using a stochastic Gauss-Newton method

Jiahe Liu

 

Tactile signal derivation part 1: evaluation of bandwidth extension methods

Ethan Stanhope, Stephen Oxnard and Laurence J. Hobden

 

Tactile signal derivation part 2: extracting haptic information from traditional audio

Stephen Oxnard, Ethan Stanhope and Laurence J. Hobden

 

Scalable Wave Field Synthesis System Implementation Case Study

Jan Banas, Gabriela Kaczmarek, Damian Koszewski, Maciej Kuklinowski, Dominik Stanczak, Marta Stefaniak and Pawel Trella

 

A serious game for crowdsourcing and self-evaluating speech emotion annotated data

Eleni Siamtanidou, Nikolaos Vryzas, Lazaros Vrysis and Charalampos Dimoulas

 

A near-field Head-Related Transfer Function data set of KEMAR with high distance resolution and multiple elevations

Yuqing Li, Joao Cardenuto, Fabio Di Giusto, Stephan Preihs and Jürgen Peissig

 

Surface nearfield source (SNS) approach compared to flat panel speaker implementations

Jukka Linjama

 

Loudspeaker modeling using long/short term memory neural networks

Denys Volkov and Lars-Johan Brännmark

 

Just noticeable reverberation difference at varying loudness levels

Florian Klein, Lukas Treybig, Christian Schneiderwind, Stephan Werner and Thomas Sporer

 

Relationship between perceptual width of stereo stage and inter-channel cross correlation

Mitsunori Mizumachi and Toshiharu Horiuchi

 

Loudspeaker Motor: Design and Non-ideality Analysis

Marco Cafaro, Luca Villa, Chiara Corsini, Grazia Spatafora and Romolo Toppi

 

Speed-Testing in Audio Engineering Education: An Imperative Assessment Tool

Barry Atticks

 

Comparison of interpolation methods to measure the three-dimensional radiation characteristics of the human voice

Kotaro Kinoshita and Takehiro Sugimoto

 

Quantifying the Properties of Guitar Tonewoods

Rebecca Margetts and Michael James

 

Loudness of Next-Generation Audio contents depending on rendering conditions

Taishi Iwasaki, Hiroki Kubo and Satoshi Oode

 

Reproducing various sound fields at low frequencies in a rectangular closed space using room-mode matching with DCT

Natsuko Maeda and Yoichi Haneda

 

Auditory localisation of low-frequency sound sources

Madalina Nastasa, Ville Pulkki and Aki Mäkivirta

 

A Robust Deep Learning-based System for  Environmental Audio Compression and Classification

Alexandros Emvoliadis, Nikolaos Vryzas, Marina Eirini Stamatiadou, Lazaros Vrysis, Charalampos Dimoulas, Anastasios Drosou and Dimitrios Tzovaras

 

An automatic mixing speech enhancement system without information loss for multiple users

Xiaojing Liu and Joshua D. Reiss

 

Case Study of Equipping a High-Fidelity 360 Camera with a 4th-Order Ambisonic Microphone Array

Jens Ahrens and Karolina Jaruszewska

 

New method for the computation of acoustical parameters according to the updated Italian legislation

Antonella Bevilacqua, Adriano Farina, Leonardo Saccenti and Angelo Farina

 

Directional Analysis of Early Reflections in Small Shoebox-Shaped Listening Rooms

Alan Pawlak, Hyunkook Lee, Aki Mäkivirta and Thomas Lund

 

Dialogue Enhancement with MPEG-H Audio: An update on technology and adoption

Daniela Rieger, Christian Simon, Matteo Torcoli and Harald Fuchs

 

Open-access 3D-printed adjustable microphone turntable

Bogdan Ioan Bacila and Hyunkook Lee

 

Creating a Low-Cost, Reproducible Virtual Mixing Environment

Bryce Mennie, Sam Kaiser and Kirk McNally

 

String Engine Sound Generation Method Based on Wavetable Synthesizer

Jaeyoung Lee, Junwoo Lee, Dooil Choi and Jongin Jung

 

Introducing the Free Web Edition of the “Perceptual Audio Coders – What To Listen For” Educational Material

Juergen Herre and Sascha Dick

 

Audio Peak Reduction Using Ultra-Short Chirps

Vesa Valimaki, Leonardo Fierro, Sebastian Schlecht and Juha Backman

 

Disembodied Timbres: A Study on Semantically Prompted FM Synthesis

Ben Hayes, Charalampos Saitis and György Fazekas

 

Comparison of different methods to measure acoustical impedance of horns

Alexander Voishvillo, Balazs Kakonyi and Brian McLaughlin

 

Buckling Dielectric Elastomer Transducers as Loudspeakers

Michael Gareis and Jürgen Maas

 

A Review of Literature in Critical Listening Education

Stephane Elmosnino

 

Style Transfer of Audio Effects with Differentiable Signal Processing

Christian J. Steinmetz, Nicholas J. Bryan and Joshua D. Reiss

 

The Dynamic Grid: Time-Varying Parameters for Musical Instrument Simulations Based onFinite-Difference Time-Domain Schemes

Silvin Willemsen, Stefan Bilbao, Michele Ducceschi and Stefania Serafin

 

Deep Audio Effects for Snare Drum Recording Transformations

Matthew Cheshire, Jake Drysdale, Sean Enderby, Maciej Tomczak and Jason Hockman

 

Resynthesis of Spatial Room Impulse Response Tails With Anisotropic Multi-Slope Decays

Christoph Hold, Thomas McKenzie, Georg Goetz, Sebastian J. Schlecht and Ville Pulkki

 

HRTF Clustering for Robus Training of a DNN for Sound Source Localization

Hugh O’Dwyer and Francis Boland

 

Audio Capture Using Structural Sensors on Vibrating Panel Surfaces

Tre DiPassio, Michael Heilemann and Mark Bocko

 

Cylindrical Radial Filter Design With Application to Local Wave Field Synthesis

Nara Hahn, Frank Schultz and Sascha Spors

 

Perceptual Impact on Localization Quality Evaluations of Common Pre-Processing for Non-Individual Head-Related Transfer Functions

Areti Andreopoulou and Brian F.G. Katz

 

Predicting Perceptual Transparency of Head-Worn Devices

Pedro Llado

 

A Comparative Study of Music Mastered by Human Engineers and Automated Services

Mitchell Elliott and Song Hui Chon

 

Spatially Oriented Format for Acoustics 2.1: Introduction and Recent Advances

Piotr Majdak, Franz Zotter, Fabian Brinkmann, Julien De Muynke, Michael Mihocic and Markus Noisternig

 

Linear-Phase Octave Graphic Equalizer

Valeria Bruschi, Vesa Välimäki

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